About

My full name is Rafael de Menezes Ehlers. I was born in Porto Alegre, Rio Grande do Sul, in 1983, and today I live in Balneário Camboriú, Santa Catarina, Brazil. I am a millennial from that small historical window where computers were still strange enough to feel magical: my first computer course was an MS-DOS class at nine years old, on green-screen monitors, and I have been trying to understand what these machines do to people, work, language, and imagination ever since.

I came to product management the long way: twenty-five years in tech, more than a decade of them in the WordPress plugin ecosystem, supporting, specifying, and shipping alongside engineering teams, and, most recently, in Shopify. One thread ran through all of it: there was always an editor in the middle. A newsletter editor at MailPoet, a form editor at GravityKit, a quiz editor at Octane AI, all of them products built around an editing surface.

Each of these editors asked people to translate an intention into the language of software through fields, screens, settings, and structured inputs. Much of my work was about making that translation easier: reducing friction, understanding where people became confused, and helping the product meet them a little closer to where they already were.

Editors are unforgiving products: every rough edge shows up in someone's workflow within minutes, and I spent a decade answering the support tickets that prove it. That is where my working habits come from: discovery before PRDs, assumptions validated with real users, and staying close enough to the implementation to ship things that actually work, not just demo well.

Along the way I became a WordPress contributor, organized the first two WordCamp Porto Alegre, the official WordPress event, and spoke at several others, including this panel.

Language agents invert that relationship. Instead of asking people to learn how software organizes information, they allow people to speak naturally while the system listens, interprets, structures, remembers, and acts. After two decades building interfaces people had to operate, I became interested in systems that could do more of that work themselves, and in what might emerge when those systems remain accountable to the same person over time.

That experience now informs my work across product, writing, and research. I am particularly interested in how memory, continuity, and long-term interaction can make language agents more personal, useful, and accountable, and in what changes when an intelligent system stops merely responding and begins to remember.

Work Experience

  1. Product Manager

    Nov 2025 – Jul 2026 · 9 months

    Octane AI · Remote

  2. Project Manager & Support Lead

    Jul 2015 – Aug 2025 · 10 years 2 months

    GravityKit · Remote

  3. Support Lead

    Nov 2013 – Dec 2020 · 7 years 2 months

    MailPoet · Remote

Projects

Side projects I build to stay close to implementation. Most start as an itch I can't scratch at work, something I want to use myself, or a methodology I want to understand by shipping it — an AI critical-reading tool, a Bayesian interview engine, a class-management platform, and more.

Research

Alongside product work, I work as an independent conceptual AI researcher on language agents, memory, perspective, individuation, self-models, and successor-model lifecycles. The public essay We Scaled the Ape and Expected the Human is the originating map — distilled from The Journey of the Monad, a book I am writing — and the papers are the secular, testable research proposals that grew from it. The current series includes 6 papers.

Books

I write books to think through ideas I can't shake — usually between science, philosophy, and the questions neither one answers. One is published; three are in progress.

See the books

Events

Not everything I shipped was software. I was the lead organizer of the first two WordCamp Porto Alegre — the official WordPress event — bringing my hometown's community together in 2013 and 2015.

Vortex

Music came next. Vortex was my electronic music project — three house and techno editions across Rio Grande do Sul, my home state, run not for profit. The point was to learn from the inside how an electronic music event comes together: lineup, venue, sound, and the night itself.

Aftermovie of the third Vortex edition — a hand rides the mixer faders under club lights.
Night crowd at a Vortex edition, gathered under string lights in an open-air venue.
The Vortex banner — the name in red over an engraved skull — hanging by a staircase while people talk and drink around it.
Packed dance floor at Vortex, people dancing and filming in front of the DJ booth.
DJ in headphones mixing on Pioneer decks against a wooden wall at a Vortex edition.
Dark Vortex stage: the round illuminated logo above the booth and a red neon tube glowing over the decks.
Red-lit dance floor at Vortex — the DJ in red headphones raises a hand while the crowd dances.
The Vortex crew posing behind the decks in front of the skull poster.
The Vortex lightbox next to a KRK studio monitor on top of a Patagonia barrel.
DJ in a beanie mixing under deep red light at a Vortex edition.
Overhead view of a DJ mixing on Pioneer decks beside the Vortex lightbox.
Me presenting the Vortex banner with an open hand, beer in the other, by the staircase.
Dance floor bathed in red light at Vortex, the crowd moving under a corrugated roof.

Education

Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) · Undergraduate Degree in Database Technology (Tecnólogo em Banco de Dados), focused on Data Analytics, Data Modeling/Warehousing, and DBA · Feb 2024 – Jul 2026, graduating Aug 2026. Capstone: Predicting Negative Reviews in the Olist Ecosystem.

Escola Técnica Santo Inácio · Technical high school in Information Technology · 1999 – 2002.

Next up: an MBA in Project Management and a Master's in Software Engineering, both starting Sep 2026.

Get in touch

The best part of putting all this online is hearing back from the people who read it. If something here resonated — a project, a paper, a book, or just an idea you want to argue about — I'd genuinely like to hear from you. Say hi anytime.